If you can’t decide what to watch this weekend, ScreenCrush’s Staff Picks are here to help. They’re like the recommendations at an old video store, except you don’t have to go outside to get them and we’re way friendlier and nice and stuff. Here are three things to watch this weekend:
The short version: There’s lots of new stuff coming to Netflix this May, including the returns of Netflix Originals Bloodline and Grace and Frankie. The second Adam Sandler Netflix movie arrives (that’s The Do-Over, with David Spade), and on the not-made-by-Netflix side of things you’ve got the recent movie version of Goosebumps with Jack Black (which was actually pretty great), Alfred Hitchcock’s To Catch a Thief, and the powerful satire Pleasantville.
The best part of each new month is the stuff that gets added to Netflix. The worst part of each new month is the stuff that gets taken from Netflix. And this month’s list of expiring titles is actually pretty extensive; there’s a Ridley Scott double bill (Black Hawk Down and the theatrical cut of Blade Runner), Bill and Ted’s Excellent Adventure (Bogus!), the terrific Polish drama Ida, and the surreal horror flick Escape From Tomorrow, which was shot on the grounds of Walt Disney World without the company’s permission.
The original 1960 John Sturges film is a classic, as is the film that influenced it, Akira Kurosawa’s The Seven Samurai. Will this new reboot of The Magnificent Seven be as good as either one of those films...
Before we get started, we know what you’re thinking: Han Solo is dead dummies. Yes, we know. But dead people have a way of reappearing in movies, especially Star Wars movies, so last night on Jimmy Kimmel Live, the host asked Harrison Ford point blank if he knew whether Han Solo would return in some capacity for Star Wars: Episode 8 and his response was very interesting...
If you watched last night’s Oscars, surely you saw Lady Gaga’s showstopper performance of “Til It Happens to You,” her Oscar nominated song from The Hunting Ground. Gaga’s performance, which brought the audience to its feet, introduced survivors of sexual assault onto the stage at the end of the song as they all stood hand-in-hand. It was a powerful moment, but equally as powerful was a moment you didn’t see: Oscar-winner walking up and hugging every single survivor as they walked off stage during a commercial break.
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