Britt Hayes

These movies are guaranteed to get you in the mood for Halloween.

When Burt Reynolds was cast in Once Upon a Time in Hollywood, it seemed like the perfect farewell for the aging Hollywood icon. The 82-year-old actor hadn’t been acting much in recent years, and his supporting role as the owner of a former stunt ranch in Quentin Tarantino’s ninth movie was sure to be his last. Unfortunately, we’ll never see Reynolds on the big screen again, as the actor passed away earlier today — before he ever had a chance to film his final part.

The star of classics ranging from ‘Smokey and the Bandit’ to ‘Boogie Nights’ passed away early Thursday, as confirmed by his manager.

Though it was initially planned to make its debut at the upcoming 2019 ceremony, the Academy has decided to place the category on “hold” for the time being.

The cast of Roseanne will return to televisions this fall — without Roseanne Barr — in The Conners. The spinoff, which features the remaining members of the iconic sitcom family, will officially premiere on Tuesday, October 16 — almost a month after ABC debuts its other fall programming. In addition to The Conners, the network has set fall premiere dates for several other new and returning shows, including The Good Doctor and Grey’s Anatomy.

From ‘Atlanta’ to ‘Westworld,’ these are the best shows of the year — so far.

The ‘Jurassic Park’ trilogy, plus new seasons of ‘Orange Is the New Black’ and ‘Comedians In Cars Getting Coffee’!

Seems that Lucasfilm is reassessing its priorities following the underwhelming debut of Solo: A Star Wars Story. The studio has now released two spinoffs that have failed to dazzle audiences, and while neither movie is outright horrible, they aren’t exactly memorable, either. According to a new report, Lucasfilm has decided to put its future Star Wars spinoffs on hold for the time being while they focus on the franchise’s meat and potatoes.

New seasons of hit shows like ‘The Americans,’ as well as recent movie releases like ‘How to Talk to Girls at Parties’ and ‘You Were Never Really Here.’

In recent years, one horror film emerges early on as the best horror film of the year. In 2017 it was Jordan Peele’s exceptionally smart social thriller Get Out; in 2016 it was Robert Eggers’ period stunner The Witch; in 2018 that honor goes to Ari Aster’s Hereditary. Starring Toni Collette as a woman struggling to cope with the increasingly disturbing implications of her mother’s death, Aster’s ferocious directorial debut plumbs the darkest depths of mental illness to reveal the true meaning of psychological terror.