When David Fincher’s Gone Girl became an overnight critical and box office sensation, you just know that everyone involved in Dark Places did a little dance when no one was looking. When they started production on the film adaptation of the Gillian Flynn novel of the same name, they were just making a thriller. Now, they’ve made the second movie based on a book by the woman who wrote Gone Girl. And yes, that book gets name-dropped in the first Dark Places trailer. Because why not ride that wave?
The internet will never stop arguing about when it is okay to show films with explicit content to children. But, there is one thing that we’re pretty sure everyone can agree on: showing the violent and disturbing The ABCs of Death to five classes of unsuspecting students is an act of irresponsible idiocy on just about every conceivable level. Columbus, Ohio substitute teacher Sheila Kearns was rightfully let go from her job back in 2013 when she screened the film for her substitute Spanish classes, but the courts have handed down an additional punishment: 90 days in jail.
It’s an undisputed scientific fact that Beauty and the Beast’s Gaston is the greatest villain in the Disney animated canon. After all, we’re talking about a guy whose theme song is all about how many eggs he eats and how every last inch of him is covered in hair. Sorry Maleficent, you have nothing on this guy. So, the news that Luke Evans has been cast as Gaston in Disney’s upcoming live action take on Beauty and the Beast has us feeling awfully judgmental. Sure, Evans is a good actor, but is he Gaston good?
After six years, one of the Oscars’ boldest (and most desperate) experiments may be coming to an end. In 2009, the Academy Awards changed its rules to allow up to 10 films to receive Best Picture nominations. The thought process was simple enough: with double the potential nominees, more mainstream fare could get nominated and ratings for the annual Oscars telecast would increase. But that didn’t work. This year’s ceremony was a disaster (in more ways than one) and the Academy is apparently ready to call this whole thing off and return to the old ways.
When he passed away last week at the age of 83, Leonard Nimoy was mourned by actors, artists, politicians, scientists, engineers, astronauts and even the President of the United States. That should tell you something. Few characters have had such a seismic impact on popular culture as Star Trek’s Spock and countless people all over the world felt like they had lost a friend. Amidst the countless tributes, there is now one that stands out: a brief but powerful remembrance from Zachary Quinto, who picked up the Spock mantle in 2009’s Star Trek and its sequel, Star Trek Into Darkness.
With Dakota Johnson guest hosting, last night’s SNL had no shortage of 50 Shades of Grey jokes. For her part, Johnson seemed equally bemused and embarrassed by her controversial new hit, rolling with whatever the show threw at her and always coming out looking far better than her naysayers expected. Her ability to make fun of herself and the film that has turned her into an overnight movie star really came together in the only sketch of the night that required her to play herself.
Modern SNL has one of the strongest female line-ups in the show’s history, so it’s always a pleasure when the writers give this group of extremely funny ladies a chance to shine together. This sketch is a weird one because it feels like such an odd and specific concept that must have been a real pain in the butt to pitch in the writer’s room, but the execution is simply sublime: a group of women start being brutally honest with the people in their lives and immediately celebrate to the impossibly catchy sounds of Sara Bareilles’ “Brave.”
Last year, John Travolta took the Oscar stage to introduce Idina Menzel so she could perform “Let It Go” from Frozen. What should have been a very simple, teleprompter-aided introduction quickly became a Big Deal when Travolta stumbled over his words. Instead of “Idina Menzel,” Travolta said “Adele Dazeem.” An internet meme was born and everyone added another great John Travolta joke to their repertoire. The 2015 Oscars decided to revisit that memorable flub and the results were weird, awkward, and yeah, pretty funny.
For many viewers, the Oscars are are chance to snark and make fun of everything that happens on stage (and can you blame ‘em?). But then the “In Memoriam” segment comes around and reduces even the most cynical person to puddle of bubbling tears. The 2015 Oscars “In Memoriam” is no different, offering a whirlwind tour through a year’s worth of beloved people who passed away. Get ready ... it’s about to get a little dusty in here.
The Oscars may not carry the same amount of commercial clout as the Super Bowl, but it still offers advertisers an opportunity to appeal to a very specific audience. In this case, it’s Apple and legendary filmmaker Martin Scorsese teaming up to sell the cinematic potential of the iPad. And yes, this commercial wants to tug on your heartstrings.
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